(Recall the innumerable clunky and vulgar lines about women’s body parts.) In the past year, though, the tenor of West’s antics has forced a retroactive reckoning with the freewheeling tendencies we once championed. (“George Bush doesn’t care about black people.”) At its worst, it has been an ignorable side effect of ingenious art. At its best, it has been a source of profound power in his career. This insatiable thirst for provocation is, of course, nothing new for Kanye. (“I could have Naomi Campbell, and still might want me a Stormy Daniels,” he raps on “All Mine.”) If there is any insight to be drawn from this album, it is that West remains immune to the the taming forces of family, industry, or the public eye. And he alludes, with a flip aside, to the day last month when he told a reporter on “TMZ Live” that four hundred years of slavery “sounds like a choice”: “Just imagine if they caught me on a wild day.” At the listening party he held in Wyoming on Thursday night, West’s wife, Kim Kardashian-who, just one day prior, had met with President Trump to discuss prison reform-stood by him listening to line after boorish line about his sexual escapades with her and with other women. ![]() West, who has jarred audiences this year with a dizzying torrent of tweets and declarations of allegiance with right-wing provocateurs, has managed to incite even more disquiet on this seven-song record, which lasts just twenty-four minutes and bears a handwritten scrawl on its cover: “I hate being Bi-Polar its awesome.” He opens with a spoken-word tone poem about murdering a loved one, and a clichéd disclaimer: “The most beautiful thoughts are always beside the darkest.” Later, he likens bipolar disorder to a “superpower” he imagines the future objectification of his four-year-old daughter’s body he raps about taking super-strength psychedelic drugs. The beauty in this activity is that it was all hers, and she could explore and push herself as she desired.The many disoriented Kanye West fans searching for clarity in his music are unlikely to find answers in “Ye,” the slapdash new album he released at midnight on Friday. These are all things she could do at the park, but with other kids around we ask N to play it safe and have good playground etiquette. Combine building the slide with some dialogue and a few gentle suggestions, and she was soon diving down the slide head-first, turning her body sideways to scoot down in “the splits”, and walking up and down the slide. In this case, our daughter loves climbing and tumbling. One of the pillars of our parenting philosophy lies in the idea of the zone of proximal development, a learning theory developed by renowned psychologist and cognitive theorist, Lev Vygotsky, which can be described as the gap between what a learner has mastered and what a learner is capable of doing with help. Add in a yoga mat for friction and a few pillows for protection, and the slapdash slide was invented. ![]() A middle ground was found with a few rounds of couch somersaults, and then my DH struck gross-motor toddler gold when remembered the large piece of wood we picked up for my inverted-board-turn-the-breech-baby exercises. ![]() On this snoozy weekend morning, N really wanted to hit the park and run around, but my sleep-deprived husband was still rubbing his eyes and nursing his coffee. We both believe strongly in paying close attention to our child’s interests and then helping her grow beyond her current capabilities, which is how this little activity emerged. While I’ve been on baby duty this past week, my husband has been an incredible pal to our older daughter, and it’s been inspiring to watch them develop their own style of play and invention.
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